**
The launch of the PDQB/SQA exams all went off pretty smoothly with lots of blathering and a nice lunch. Only remains now for the examination centres to be linked in via the SQA computer and everything will be off and running. Jim Clark, one of the architects of the exams on the drumming side, was there and we spoke about the Winter School in Bruggen. Jim will be joining as our drum instructor and is sure to attract a good class.The band he teaches, George Watson's (above left), did a turn at the
launch and very good they were too. Nice sound from their pipes and good, steady playing. Have added a short video of this championship winning band below as promised.**
Regular Spanish correspondent Leslie Thomson has sent this: 'A friend of mine, Patrick Wight, and I were preparing to play at a Wedding Expo in Fuengirola (Costa del Sol). The day before we were battling (unsuccessfully) against the excessive air coming out of the pipes. We were so disappointed that the following morning Patrick called me asking me to bring a sledge hammer for his pipes! But unexpected rescue was coming..... I was called by the organizer of the Expo and asked to go to the airport and collect a piper coming in from Scotland. Imagine my shocked surprise when I was told that it was none other than Robert Mathieson! Of course he sorted out my friend's pipes (and mine) in seconds flat. That was nice but what was really kind was a brief conversation Robert had with Patrick. My friend's despondency was totally eradicated. This is where the quality of the person is measured. P/M Mathieson THANK YOU!'
What you write Leslie doesn't surprise me and Robert is an integral part of our team at Bruggen and elsewhere. He's bringing a mini-band from Shotts to the CoP for our 65th birthday celebration on January 30 so we've all got a lot to thank him for. Incidentally also on the bill will be Stuart Liddell and his Inveraray band. Should be a great night. Tickets are £10. Free buffet included.
**
New CD from Dr Angus MacDonald. The blurb reads:

'Dr Angus MacDonald’s musical influences were formed growing up in Glenuig in Moidart and from visits to his mother’s people in South Uist where the piping tradition was especially strong. He has also been influenced by the music and Gaelic song he heard in Cape Breton in the years that he lived there. In the fiddle music, especially in the strathspey playing, Angus recognised the rhythms he was brought up listening to in the songs his father sang and in Gaelic music in general. The words of a song associated with a tune, provide a template which preserves the inherent rhythm and character of that tune over generations. Though a healthy culture will undergo changes, traditional music as played today in Scotland has been influenced by patronage by aristocracy and has been sanitised and made more genteel. The older Scottish and the Gaelic names have been replaced by labels such as “Lady so and so’s favourite”. This did not happen in Cape Breton or to “puirt a beul”, the Gaelic song, dance tunes in Scotland. It is from this platform that Dr Angus’s arrangements and expression of the music comes....For this recording he has added accompaniment to some tracks. The repertoire is largely traditional with several entirely new compositions of his own and of his brothers, Allan and Iain.'
I stopped buying into that Cape Breton, Gaelic song carry on a long time ago. It just doesn't stand up to any serious scrutiny. There's nothing sanitised about the strathspey 'Lady Loudon' for example. Just damned difficult to play well. Still the doc is a great musician and this is sure to be a very good CD. Will have a review in due course.
'Dr Angus MacDonald’s musical influences were formed growing up in Glenuig in Moidart and from visits to his mother’s people in South Uist where the piping tradition was especially strong. He has also been influenced by the music and Gaelic song he heard in Cape Breton in the years that he lived there. In the fiddle music, especially in the strathspey playing, Angus recognised the rhythms he was brought up listening to in the songs his father sang and in Gaelic music in general. The words of a song associated with a tune, provide a template which preserves the inherent rhythm and character of that tune over generations. Though a healthy culture will undergo changes, traditional music as played today in Scotland has been influenced by patronage by aristocracy and has been sanitised and made more genteel. The older Scottish and the Gaelic names have been replaced by labels such as “Lady so and so’s favourite”. This did not happen in Cape Breton or to “puirt a beul”, the Gaelic song, dance tunes in Scotland. It is from this platform that Dr Angus’s arrangements and expression of the music comes....For this recording he has added accompaniment to some tracks. The repertoire is largely traditional with several entirely new compositions of his own and of his brothers, Allan and Iain.'
I stopped buying into that Cape Breton, Gaelic song carry on a long time ago. It just doesn't stand up to any serious scrutiny. There's nothing sanitised about the strathspey 'Lady Loudon' for example. Just damned difficult to play well. Still the doc is a great musician and this is sure to be a very good CD. Will have a review in due course.
**
New CD too from Iain MacInnes of the BBC. (I hope MacMeannma will be advertising with us given all these plugs they're getting).
**My man in Kabul, piper Robert Gunther,presently stationed there with US forces, has emailed:'I got the honour of meeting Secretary of State Clinton yesterday as she was leaving Kabul airport after the Afghan presidential inauguration. It was pretty neat!' Robert sent a pic. Nice coat Hilary!




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